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Marisol (2023) [N/A]

Release Date:
September 1, 2023

Original Title:
Marisol

Alternate Titles:
ماریسول

Genres:
Drama

Production Companies:
Alpine Labs
The Real Gloria

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 95

Overview from TheMovieDB

For Marisol Rivera, a first generation Mexican-American, college is everything she's worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she's ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she's undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.

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Production

Art Direction:
Scott Colquitt

Assistant Director:
Christine Chen

Director:
Kevin Abrams

Director of Photography:
Andre Lascaris

Editor:
Karen Skloss

First Assistant Director:
Jaytyler Ferretti

Hair Department Head:
Andrea De Leon

Producer:
Seth Caplan
Kevin Abrams
Ezra Venetos
Jamie Denenberg
Eric Neal Young

Production Designer:
Leila Dallal

Second Assistant Director:
Carly Shiell

Unit Production Manager:
Courtney Jones

Writer:
Claire Audrey Aguayo

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.