A work in constant progress (and occasional regress).
Release Date:
January 23, 1976
Original Title:
Cuore di cane
Alternate Titles:
Dog's Heart
Genres:
Comedy | Science Fiction
Production Companies:
Corona Filmproduktion
Filmalpha
Production Countries:
Germany | Italy
Ratings / Certifications:
N/A
Runtime: 113
Professor Preobrazhensky puts courageous experiences, trying to turn a dog in equal to in all of the person. As a result somebody turns out Doggies. Unfortunately, experience proves that it is better for dog to remain a dog.
Administration:
Alfonso Farano
Assistant Camera:
Luigi Cecchini
Carlo Poletti
Assistant Costume Designer:
Francesca Saitto
Assistant Editor:
Nadia Bonifazi
Sandro Broglio
Vanda Olasio
Assistant Production Design:
Massimo Razzi
Boom Operator:
Antonio Casolini
Camera Operator:
Enzo Tosi
Roberto Seveso
Costume Design:
Marisa D'Andrea
Director:
Alberto Lattuada
Director of Photography:
Lamberto Caimi
Editor:
Sergio Montanari
First Assistant Director:
Maurizio Rotundi
Fabrizio Sergenti Castellani
Gaffer:
Ennio Di Stefano
Hairstylist:
Maria Luisa Garbini
Key Grip:
Giuseppe Gabrielli
Line Producer:
Enzo Giulioli
Bianca Lattuada
Makeup Artist:
Alvaro Rossi
Maurizio Garbini
Novel:
Mikhail Bulgakov
Original Music Composer:
Piero Piccioni
Producer:
Alberto Lattuada
Mario Gallo
Production Design:
Vincenzo Del Prato
Production Secretary:
Bruno Ricci
Valentino Signoretti
Property Master:
Raffaele Vincenti
Screenplay:
Mario Gallo
Alberto Lattuada
Viveca Melander
Script Supervisor:
Gilda Atella
Seamstress:
Lamberta Baldacci
Sound:
Remo Ugolinelli
Still Photographer:
Mario Tursi
Unit Manager:
Claudio Cuomo
Adriano Di Lorenzo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.