A work in constant progress (and occasional regress).
Release Date:
November 6, 1992
Original Title:
Passenger 57
Alternate Titles:
Passagerare 57
Passagier 57
五十七号警探
Genres:
Action | Adventure | Thriller
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 18|16 FI: K-18 GB: 15 HU: 16 NL: 12 PT: M/18 SE: 15 US: R
Runtime: 84
An infamous terrorist has evaded capture for a long time by being extremely clever and ruthless. Things get interesting when he hijacks a plane carrying famous security expert John Cutter, who isn't about to stand for this sort of thing.
Art Direction:
Alan E. Muraoka
Camera Operator:
Frank Miller
Casting:
Shari Rhodes
Chief Lighting Technician:
Jock Brandis
Co-Producer:
Robert J. Anderson
Costume Design:
Brad R. Loman
Director:
Kevin Hooks
Director of Photography:
Mark Irwin
Editor:
Richard Nord
Executive Producer:
Jonathan Sheinberg
First Assistant Director:
Gary Marcus
Hairstylist:
Lynda Kyle Walker
Carol Rasheed
Key Hair Stylist:
Clifford Booker
Key Makeup Artist:
Selena Evans-Miller
Makeup Artist:
Julie Hill-Parker
Leslie Christin
Original Music Composer:
Stanley Clarke
Producer:
Dylan Sellers
Lee Rich
Dan Paulson
Production Design:
Jaymes Hinkle
Screenplay:
David Loughery
Dan Gordon
Second Assistant Director:
Cyd Adams
Set Decoration:
Don K. Ivey
Sound Re-Recording Mixer:
Wayne Artman
Franklin Jones Jr.
Tom E. Dahl
Steadicam Operator:
Robert Ulland
Story:
Dan Gordon
Stewart Raffill
Stunt Coordinator:
Glenn R. Wilder
Jeff Ward
Stunts:
Chick Bernhard
Jay Amor
Max Daniels
Perry Barndt
Tom Akos
Mindy Branston
Nathalie B. Bollinger
Mark Chadwick
Barry Brazell
John Evanko
Sharie Doolittle
Brandy Johnson-Scharpf
Lex D. Geddings
Artie Malesci
Kim Kahana
Anderson Martin
Kathy Marshall
Jeff Moldovan
Bill Orsini
Steven Ritzi
Lisa Jean Renzetti
Ronald Ross
Cheyenne Rivera
Gar Stephen
Eric Whitmore
John Zimmerman
Kim Zimmerman
Jill Stokesberry
Supervising Sound Editor:
Robert G. Henderson
Unit Production Manager:
Robert J. Anderson
Utility Stunts:
Tom Bahr
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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