A work in constant progress (and occasional regress).
Release Date:
April 23, 1971
Original Title:
El ojo del huracán
Alternate Titles:
La volpe dalla coda di velluto
Lusty Lovers
The Fox with the Velvet Tail
В центре бури
Лисица с бархатным хвостом
Genres:
Horror | Romance | Thriller
Production Companies:
Arvo Film
Producciones Cinematográficas Orfeo
Production Countries:
Italy | Spain
Ratings / Certifications:
DE: 18 RO: 18
Runtime: 93
Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things start happening. The brakes of the car fail, and Ruth narrowly escapes death. The driving equipment goes faulty, and Ruth almost drowns. Michel turns up at their doorstep for an uninvited social call, and Paul asks him in. Ruth suspects Michel of being the person behind the mechanical faults of the car and the diving equipment, but Paul dismisses such a possibility - but he does suggest it to Michel. Then, the heat does go up.
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Assistant Camera:
Guillermo Peña
Enrique Cerezo
Manuel Santos
Assistant Director:
Juan Antonio Arévalo
Roberto Amicucci
Miguel Angel Arribas
Assistant Editor:
María Luisa Fernández
María Dolores Laguna
Assistant Makeup Artist:
Ángeles Muñoz
Cinematography:
Alejandro Ulloa
Giovanni Bergamini
Costumer:
Ana María Albertelli
Director:
José María Forqué
Editor:
Mercedes Alonso
Hairstylist:
María Carmen Alberdi
Makeup Artist:
Manuel Martín
Original Music Composer:
Piero Piccioni
Production Assistant:
Alessandro Scoccia
Luis Vázquez
Production Manager:
Francesco Campitelli
José Manuel M. Herrero
Production Secretary:
Paquita Vilanova
Production Supervisor:
Ricardo Bonilla
Screenplay:
Rafael Azcona
José María Forqué
Seamstress:
María Teresa Iglesias
Set Decoration:
Giorgio Marzelli
Sound Engineer:
José María San Mateo
Still Photographer:
Antonio Luengo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.