A work in constant progress (and occasional regress).
Release Date:
March 6, 2024
Original Title:
La Vie de ma mère
Alternate Titles:
This is my mother
Genres:
Comedy | Drama
Production Companies:
CPCF 5
Silex Films
Production Countries:
France
Ratings / Certifications:
CH: 12
Runtime: 104
Pierre, a successful 33-year-old florist, has his life turned upside down by the sudden arrival of his mother Judith, whom he hasn’t seen for two years. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: bring her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever.
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Administration:
Julie Buan
Assistant Property Master:
Kattin Iphutcha
Boom Operator:
Emmanuel Ughetto
Casting Director:
Elodie Demey
Aurélie Avram
Costume Design:
Charlotte Terrasse
Dialogue Editor:
Nicolas Cantin
Director:
Julien Carpentier
Director of Photography:
Martin De Chabaneix
Editor:
Mathieu Pontier
Electrician:
Clément Jacquet
Executive Producer:
Marie Darel
First Assistant Art Direction:
Juliette Giambiasi
First Assistant Camera:
Louise Legaye
First Assistant Director:
Luc Catania
First Assistant Editor:
Robin Wolanski
Gaffer:
Thomas Bayle
Graphic Designer:
Thomas Félix-François
Key Grip:
Paul Ghafoorian
Key Hair Stylist:
Rodolfo Zubizarreta
Key Makeup Artist:
Anaëlle Trogno
Location Manager:
Raphaël Launay
Music:
Dom La Nena
Music Supervisor:
Lucas de Moidrey
Jeanne Trellu
Producer:
Priscilla Bertin
Judith Nora
Production Design:
Julie Wassef
Production Manager:
Cécile Remy-Boutang
Production Secretary:
Clémentine Bouvet
Property Master:
Peyo Jolivet
Script:
Soizic Poënces
Script Supervisor:
Soizic Poënces
Second Assistant Camera:
Rémi Delvern
Second Assistant Director:
Maïna Pouhaër
Set Dresser:
Marie-Béatrice Frugier
Sound:
Nicolas Cantin
Sound Editor:
Olivier Voisin
Sound Engineer:
Nicolas Cantin
Story:
Julien Carpentier
Wardrobe Coordinator:
Kim Schaffner
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.