A work in constant progress (and occasional regress).
Release Date:
May 4, 1988
Original Title:
Clinton and Nadine
Alternate Titles:
Blood Money
Blood Money: The Story of Clinton and Nadine
Blutiges Geld
Enquête pour une vengeance
Vérdíj
Genres:
Action | Crime | Drama | Romance | TV Movie | Thriller
Production Companies:
Carlton International Media
ITC Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: U
Runtime: 110
Eager to find his brother's murderer, Clinton enlists the aid of Nadine, an expensive call girl. Together they get sucked into a plot to smuggle guns to the Contra forces in Nicaragua.
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Assistant Art Director:
Caryn Wolf
Associate Producer:
Brad R. Loman
Best Boy Electric:
Rusty Pouch
Best Boy Grip:
Casey Osborne
Boom Operator:
Jack Dalton
Camera Operator:
Richard J. Edesa
Casting:
Paula Herold
Costume Design:
Brad R. Loman
Costumer:
Vivian Cocheo
Director:
Jerry Schatzberg
Director of Photography:
Isidore Mankofsky
Dolly Grip:
Edward Knott III
Editor:
David Ray
Executive In Charge Of Production:
Dennis A. Brown
Extras Casting:
Ellen Jacoby
First Assistant Camera:
Bill McConnell Sr.
First Assistant Director:
Jerram A. Swartz
Gaffer:
Pierre Roseman
Key Grip:
Ed Knott Jr.
Location Manager:
Sherry Thorup
Original Music Composer:
Jan Hammer
Producer:
Donald March
Production Design:
Howard Barker
Production Manager:
Tom Leetch
Stephen J. Fisher
Production Supervisor:
Tink Ten Eyck
Script Supervisor:
Sonny P. Filippini
P.R. Tooke
Second Assistant Camera:
Warner R. Wacha
Second Assistant Director:
Skip Surguine
Set Decoration:
Frederic C. Weiler
Sound Mixer:
Michael R. Tromer
Writer:
Robert Foster
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.