A work in constant progress (and occasional regress).
Featuring:
Gabriela Fumía, Alejandra Díaz, Eugenia Anton
Written by:
Agustín Pacheco
Directed by:
Agustín Pacheco
Release Date:
October 13, 2022
Original Title:
Café Split
Genres:
Music
Production Companies:
Estamos Cortos
Production Countries:
Uruguay
Ratings / Certifications:
N/A
Marina (50) and Solaris (50) discuss about opening their relationship in a cafe. There they meet Tami (30), Marinas lover, who reveals to Solaris that Marina invited her to discuss the matter. Finally, Solaris gets fed up with the relationship and teleports to her planet.
Marina (50) and Solaris (50) discuss about opening their relationship in a cafe. There they meet Tami (30), Marinas lover, who reveals to Solaris that Marina invited her to discuss the matter. Finally, Solaris gets fed up with the...
Art Direction:
Francisca Muñoz
Assistant Art Director:
Martina Podestá
Pedro Vercesi
Assistant Director:
Matias Benmaor
Camera Operator:
Ariel Iglesias
Compositor:
Agustín Pacheco
Continuity:
Emilia Ballestrino
Director:
Agustín Pacheco
Director of Photography:
Álvaro "Grex" Labra
Tomás Santeugini
Editor:
Diego Latierro
Electrician:
Rodrigo Troche
Santiago Benvenuto
Nicolás Focco
Gaffer:
Nicolás Silva
Graphic Designer:
Alfredo Raucher
Location Scout:
Diego Peralta
Makeup & Hair:
Agustina Ardanaz
Carolina Steinhorn
Agustina Bindritsch
Mix Technician:
Matías Sosa
Producer:
Mariana Irigoin Hémala
Sofía Pérez
Producer's Assistant:
Alessio Beretta
Ana Olivera
Second Assistant Director:
Francisco Bica
Sound:
Felipe sanguinetti
Writer:
Agustín Pacheco
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.