A work in constant progress (and occasional regress).
Release Date:
October 29, 1973
Original Title:
Mi chiamavano 'Requiescat'... ma avevano sbagliato
Alternate Titles:
Fast Hand Is Still My Name
Fasthand - Der schnellste Colt von Death Valley
Mano rápida
Genres:
Western
Production Companies:
Copercines
New Films International
Production Countries:
Italy | Spain
Ratings / Certifications:
DE: 18
Runtime: 85
Macedo, bloodthirsty leader of a gang of Confederates shoots the captain of the Northerners, Jeff Mallighan, known as "Fast Hand", shattering his right hand. Jeff, wounded on the ground, could not see the face of the villain, but his silver spurs have stuck in his mind as well as his unique gun. Some time after this event Macedo continues with his misdeeds, however, a mysterious horseman dressed in black will stand in his way.
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Assistant Camera:
Luigi Sbrizzi
Assistant Director:
Gianfranco Battistini
Assistant Makeup Artist:
Alberta Fattore
Camera Operator:
Tonj Kurt
Costume Design:
Francesco Cuppini
Dialogue:
Vinicio Marinucci
Director:
Mario Bianchi
Director of Photography:
Emilio Foriscot
Editor:
Giancarlo Venarucci
Electrician:
Alberto Silvestri
Foley Artist:
Aldo Ciorba
Key Grip:
Giancarlo Serravalli
Makeup Artist:
Sergio Petruzzelli
Music:
Gianni Ferrio
Producer:
Gianfranco Battistini
Silvio Battistini
Production Design:
Francesco Cuppini
Production Manager:
Mario Caporali
Production Supervisor:
Antonio Caporali
Property Master:
Tarcisio Piras
Seamstress:
Stella Battista
Set Decoration:
José Luis Galicia
Jaime Pérez Cubero
Sound Mixer:
Renato Cadueri
Special Effects:
Eugenio Ascani
Still Photographer:
Giorgio Garibaldi Schwarze
Stunt Coordinator:
Gilberto Galimberti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.