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Swindler Seduction (2022) [PG-13]

Release Date:
October 22, 2022

Original Title:
Swindler Seduction

Genres:
Drama | Mystery | TV Movie | Thriller

Production Companies:
1Department Entertainment Services
Muse Entertainment
RAW

Production Countries:
Canada

Ratings / Certifications:
US: PG-13 

Runtime: 85

Overview from TheMovieDB

Louisa meets entrepreneur Steve at a bar. After 48 blissful hours, Steve disappears and Louisa realizes she's been cheated out of thousands of dollars. Louisa later learns she's pregnant and Steve has an identical twin, another romantic con artist.

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Additional information:

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Trailer

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Performers

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Production

"A" Camera Operator:
Jeff Hicks

"B" Camera Operator:
Keegan Yang

ADR Editor:
Scott Donald

ADR Recordist:
Brianna Todd

Assistant Accountant:
Hanna Folkins

Assistant Art Director:
Devin Rushton

Assistant Costume Designer:
Jasmine Murray-Bergquist

Assistant Director:
Cimarron Langlois

Assistant Editor:
Patrick de Sousa Lahey

Assistant Gaffer:
Nicholas Hermier
Chloe Lucas
Alena Groebner
Matt Garrity

Assistant Grip:
Shekhar Bharti
Mack Anvari

Assistant Hairstylist:
Karen Mapendano

Assistant Location Manager:
Patrick Garden
Brendan Butt
Brandan McLoughlin

Assistant Set Decoration:
Kiara Choy

Associate Producer:
Oneida Crawford
Carey West
Neil Rawes

Background Casting Director:
Ilona Smyth

Boom Operator:
Stephen Sanborn

Camera Trainee:
Matthew McAllister

Casting:
Larissa Mair

Casting Assistant:
Jade Hesson

Casting Associate:
Colleen Rush

Colorist:
Aj McLauchlin

Construction Coordinator:
Kevin Zeigler

Costume Assistant:
Iwan Fay-Fright
Sydney Szijarto
Patrice Tremblay-Forbes

Costume Design:
Jennifer Stroud

Costume Set Supervisor:
Jacob Johnston
Isobel Orion

Craft Service:
Panina Pollock
Ray Barkhouse

Dialogue Editor:
Scott Donald

Digital Imaging Technician:
Siegfried Margies
Madison Margies

Director:
Jonathan Wright

Director of Photography:
Jonathan Yapp

Dolly Grip:
Kyle Amell

Editor:
Marc Roussel

Electrician:
Alexandra Adams
Yan Schnell

Executive Producer:
Piers Vellacott
Sara Murray
Jesse Prupas
Jonas Prupas
Colton Haynes

First Assistant "A" Camera:
Josh Henderson

First Assistant "B" Camera:
Cameron Preyde

First Assistant Accountant:
G.K. Nartey

First Assistant Director:
Gordon Yang

Foley Artist:
Paul Hubert

Foley Recordist:
Bertrand Duranleau

Gaffer:
Evelyn Sifton

Graphic Designer:
Lana Bateman

Grip:
Rachel Vrecic

Hair Department Head:
Nadege Desanges

Key Grip:
Peter Chartier

Key Hair Stylist:
Natasha Gabriela Trepanier
Samantha Tremblay

Key Makeup Artist:
Alyssa 'Aly' Morden-Hayley

Location Assistant:
Michael Omelon
Kolby Teich

Location Manager:
Matt Cassidy

Makeup Artist:
Katie Coupal
Janelle Cardinal
Safi Adysse Isenge

Makeup Department Head:
Chancelle Mulela

Music:
Kristjan Bergey
Robert Carli

Online Editor:
Kevin Downer

Payroll Accountant:
Jessica Parkin

Producer:
Caitlin Delaney
Shane Boucher

Production Accountant:
John Roy

Production Coordinator:
Rachel Dunlop
Jackie Massar

Production Design:
Joey Gunn

Production Manager:
Marie Lemay

Property Master:
Tara Burr
Megan Bowen

Props:
Christopher Eades

Script Supervisor:
Lori Hareuther

Second Assistant "A" Camera:
Taylor Rice

Second Assistant "B" Camera:
Riad Hamidi

Second Assistant Director:
Eric Boissonneault

Set Decoration:
Fiona Brui-Robey

Set Dresser:
Christian Belisle
Kyle Seed

Sound Effects Editor:
Mark Dejczak

Sound Mixer:
Andrew Sutherland

Sound Re-Recording Mixer:
Chris Russell

Special Effects Coordinator:
Ben Belanger

Still Photographer:
Albert Camicioli

Stunt Coordinator:
Kevin Kelsall

Third Assistant Director:
Nick Gauthier

Transportation Captain:
Peter Harvey

Transportation Coordinator:
Joshua Garby

Truck Supervisor:
Michelle LeBlanc
Shakira Narcisse-Clervil

Visual Effects Supervisor:
Kevin Pitts

Writer:
Liz Lake

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.