A work in constant progress (and occasional regress).
Release Date:
March 10, 2005
Original Title:
The Ring Two
Alternate Titles:
El aro 2
La llamada 2
Le Cercle - The Ring 2
Le Cercle deux
O Chamado 2
The Ring - O Aviso 2
The Ring 2 - Das Grauen Kehrt Zurück
The Ring 2 - O Aviso
Xalqa 2
צלצול 2
ザ・リング2
剎靈
午夜凶铃2(美版)
美版午夜凶铃2
鬼迷刹玛莉
링 2
Genres:
Drama | Horror | Thriller
Production Companies:
BenderSpink
DreamWorks Pictures
Parkes+MacDonald Image Nation
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 16 DE: 16 ES: 18 FR: 12 GB: 15 HU: 16 IE: 15 NL: 16 PL: 18 PT: M/16 RO: 15 RU: 16+ SE: 15 US: PG-13
Runtime: 110
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
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3D Coordinator:
Whitney Kitchen
ADR Editor:
Michael Axinn
ADR Recordist:
Tami Treadwell
Animation Supervisor:
Keith Roberts
Art Department Assistant:
Ara Soudjian
Art Department Coordinator:
Susan Chooljian
Art Department Production Assistant:
Zachary Fannin
Art Direction:
Christa Munro
Assistant Accountant:
Chris Romberg
Assistant Camera:
Matthew A. Del Ruth
Assistant Chief Lighting Technician:
Glenn Corbett
Assistant Editor:
Zach Justman
Assistant Location Manager:
David Diamond
Assistant Production Coordinator:
Orlando R. Gonzales
Assistant Property Master:
Michael Hansen
Assistant Sound Editor:
Robert Morrisey
Best Boy Grip:
Craig Doobie
Michael Alexonis
Boom Operator:
Harrison D. Marsh
CG Animator:
Steve Baker
CG Artist:
David Santiago
Camera Operator:
Paul C. Babin
Casting:
Tricia Wood
Deborah Aquila
Casting Associate:
Jennifer L. Smith
Chef:
Jamie Kemp
Chief Lighting Technician:
Robert Ferrara
Co-Executive Producer:
J.C. Spink
Neal Edelstein
Chris Bender
Co-Producer:
Michele Imperato Stabile
Color Timer:
Lee Wimer
Conductor:
Fiachra Trench
Construction Coordinator:
Karen Higgins
Costume Design:
Wendy Chuck
Costume Supervisor:
Nava R. Sadan
Costumer:
Jiřina Eisenhamerová
Craft Service:
Lea Anderson
Data Wrangler:
Deborah Thomas
Dialogue Editor:
Bob Newlan
Digital Compositor:
Dan Cayer
Digital Compositors:
Dan Akers
Digital Effects Supervisor:
Mark Rodahl
Digital Producer:
Serge Riou
Director:
Hideo Nakata
Director of Photography:
Gabriel Beristain
Dolly Grip:
Nico Bally
Driver:
Thomas Garris
Editor:
Michael N. Knue
Electrician:
Jeffrey A. Cook
Executive Producer:
Michele Weisler
Roy Lee
Mike Macari
Neil A. Machlis
First Assistant Camera:
Alan Cohen
First Assistant Director:
Doug Metzger
First Assistant Editor:
Mel Friedman
Foley:
John T. Cucci
Foley Artist:
Dennie Thorpe
Foley Mixer:
Frank 'Pepe' Merel
Foley Recordist:
Travis Crenshaw
Gaffer:
Danny Eccleston
Greensman:
Bob Skemp
Grip:
John S. Campbell
Hairstylist:
Dianne Darcy
I/O Supervisor:
Fatima Mojaddidy
Key Grip:
Michael C. Price
Key Rigging Grip:
Larry J. Aube
Leadman:
Anthony Carlino
Lighting Supervisor:
Jason Bayever
Lighting Technician:
Curtis A. Andrews Jr.
Loader:
Julie Helton
Location Manager:
Ned R. Shapiro
Makeup Artist:
E. Larry Day
Makeup Department Head:
Debbie Zoller
Makeup Effects Designer:
Kazu Hiro
Matchmove Supervisor:
Chris Paizis
Music Coordinator:
Becky Bentham
Music Editor:
Daniel Pinder
Negative Cutter:
Gary Burritt
Novel:
Kôji Suzuki
Orchestrator:
Bruce Fowler
Original Music Composer:
Henning Lohner
Martin Tillman
Painter:
Francesco Franco Ferrara
Payroll Accountant:
Teresa Jaime Drapkin
Picture Car Coordinator:
John 'J.P.' Pratt
Post Production Assistant:
Dustin Brown
Post Production Coordinator:
Sven E. Fahlgren
Post Production Supervisor:
Mark Graziano
Producer:
Laurie MacDonald
Walter F. Parkes
Production Assistant:
Chandra Irving
Production Coordinator:
Robert West
Production Design:
James D. Bissell
Production Executive:
Joel Román Mendías
Production Illustrator:
Jamie Rama
Production Secretary:
Afnahn Khan
Production Sound Mixer:
David MacMillan
Production Supervisor:
Craig Cannold
Property Master:
Tony Bonaventura
Propmaker:
Randy L. Childs
Researcher:
Deborah Ricketts
Jesse Cook
Rigging Gaffer:
Glenn E. Moran
Rigging Grip:
Matthew J. Barden
Screenplay:
Ehren Kruger
Script Supervisor:
Trudy Ramirez
Second Assistant Accountant:
Jennifer Koenig
Second Assistant Camera:
Matthew C. Blea
Second Assistant Director:
Frederic Roth
Second Second Assistant Director:
Giselle Gurza
Second Unit Cinematographer:
Mark Vargo
Second Unit Director:
Charles Gibson
Senior Visual Effects Supervisor:
Nathan McGuinness
Set Costumer:
Jeannine Bourdaghs
Set Decoration:
Lauri Gaffin
Set Designer:
Cosmas A. Demetriou
Set Dresser:
Brady J. Condit
Set Medic:
Ann Penny
Set Production Assistant:
Ken C. Wu
Software Engineer:
Brian Corpus
Sound Designer:
Ethan Van der Ryn
Sound Effects Editor:
Donald Flick
Sound Engineer:
Jack Ford
Sound Recordist:
Tim Gomillion
Special Effects Coordinator:
Peter Chesney
Special Effects Technician:
William Aldridge
Stand In:
Bill McAdams Jr.
Steadicam Operator:
Craig Fikse
Still Photographer:
Gemma La Mana
Storyboard Artist:
Trevor Goring
Michael Anthony Jackson
Storyboard Designer:
Rick Newsome
Stunt Coordinator:
Keith Campbell
Stunt Double:
Keli Murphy
Nicole Randall
Casey Easlick
Ashton Moio
Stunts:
James M. Churchman
Bonnie Morgan
Daniel W. Barringer
Paul Leonard
Brad Martin
John Moio
Jane Oshita
Supervising Sound Editor:
George Simpson
Technical Supervisor:
Thad Beier
Title Designer:
John Brian King
Transportation Captain:
Robert K. Johnson
Transportation Coordinator:
Kenny Searle
Travel Coordinator:
Kurt Zelnak
Unit Production Manager:
Michele Imperato Stabile
Unit Publicist:
Alex L. Worman
Video Assist Operator:
Richard Scarpone
Visual Effects Art Director:
Dylan Cole
Visual Effects Coordinator:
Heather Ignarro
Visual Effects Editor:
Zeke Morales
Kristopher Kasper
Visual Effects Producer:
Cosmas Paul Bolger Jr.
Wigmaker:
Natasha Ladek
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.