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Pérola (2023) [N/A]

Release Date:
September 28, 2023

Original Title:
Pérola

Genres:
Comedy | Drama

Production Companies:
Canal Brasil
Globo Filmes
MB Produções (BR)
República Pureza Filmes
RioFilme
Telecine

Production Countries:
Brazil

Ratings / Certifications:
BR: 14 

Runtime: 91

Overview from TheMovieDB

Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.

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Production

Art Direction:
Valéria Costa

Casting Producer:
Cynthia Falabella

Costume Design:
Bia Salgado

Director:
Murilo Benício

Director of Photography:
Kika Cunha

Editor:
Tainá Diniz

First Assistant Director:
Esperança Pêra Motta

Makeup Artist:
Valéria Toth

Music:
Berna Ceppas

Producer:
Marcello Ludwig Maia
Murilo Benício

Second Assistant Director:
Mannuela Domingues

Writer:
Adriana Falcão
Marcelo Saback
Jô Abdu
Murilo Benício

Writers' Assistant:
George Moura

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.