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The Disappearance of Cari Farver (2022) [PG-13]

Release Date:
October 8, 2022

Original Title:
The Disappearance of Cari Farver

Genres:
Drama | TV Movie | Thriller

Production Companies:
Howard Braunstein Films
Milojo Productions

Ratings / Certifications:
US: PG-13 

Runtime: 85

Overview from TheMovieDB

Dave Kroupa is shocked when his new girlfriend, Cari Farver, starts sending him demanding texts. When Dave ends the relationship, he finds himself on the receiving end of an onslaught of twisted messages from Cari, who has abruptly disappeared. Dave’s ex-girlfriend, Liz, also begins receiving harassing texts from Cari, resulting in a dangerous situation for them both. Meanwhile, Cari’s mother Nancy continually searches for her, keeping the pressure on the police who eventually uncover a shocking discovery.

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Additional information:

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Performers

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Production

"A" Camera Operator:
Sam Acton King

"B" Camera Operator:
Jason Heke

ADR Supervisor:
Derek Benjamin Grocholski

Additional Music:
Igor Nemirovsky

Animal Coordinator:
Courtney Voth
Shereen Jerrett
Angelique Duseigne

Assistant Accountant:
Katheryn Martin

Assistant Costume Designer:
Megan Dunn

Assistant Editor:
Chandler Pretty

Assistant Hairstylist:
Shelly Bargenda

Assistant Location Manager:
G. Thom Arnold
Alexee Klassen

Assistant Makeup Artist:
Beth Anne McIvor

Assistant Production Coordinator:
E.M. Dsouza

Assistant Property Master:
Joshua Gehman

Background Casting Director:
Marianne Delveaux

Best Boy Electric:
Johnny Bennet

Best Boy Grip:
Paul Skirzyk

Book:
Leslie Rule

Boom Operator:
Sheldon Williamson
Oswald Keeper

Casting:
Amey René
Jim Heber

Colorist:
Nika Shevchenko

Construction Coordinator:
Scott Hopper

Costume Coordinator:
Magdalena Shenher
Jaelan Prince

Costume Designer:
Brenda Shenher

Costume Set Supervisor:
Mark Demarchi

Craft Service:
Ben Courdiere

Dialogue Editor:
J.P. Peters

Director:
Danishka Esterhazy

Director of Photography:
Ken Krawczyk

Dolly Grip:
Vince Syposh
Jenni Waldner

Draughtsman:
Heather Arabsky

Drone Operator:
Ryan Cheale

Editor:
Lee Walker

Executive Producer:
Kelly Ripa
Mark Consuelos
Albert Bianchini
Howard Braunstein
Linda Berman

First Assistant "A" Camera:
Devin Coppen

First Assistant "B" Camera:
Steven K. Johnson

First Assistant Accountant:
Lori Maxwell

First Assistant Director:
Jason Bohn

First Assistant Sound Editor:
Jon Plett

Foley Artist:
Shane Rees

Gaffer:
Josh Holmes

Graphic Designer:
Antia Chandara
Jesse Peterson

Grip:
Eric Sakendu

Hair Department Head:
Angela Ohana

Key Grip:
Conroy Finnigan

Key Makeup Artist:
Brie Tait

Lead Set Dresser:
Mike Nava

Line Producer:
Mark Montague

Location Assistant:
Colton Matosek

Location Manager:
Karen Tusa

Makeup Department Head:
Diane Nimik

Music:
Colin Aguiar

Online Editor:
Kali Raigh

Producer:
Juliette Hagopian
Michael Halpern

Production Accountant:
Virginia Prasad

Production Coordinator:
Richard Hirschfield

Production Design:
Taavo Soodor

Production Manager:
Laura Neufeld

Production Sound Mixer:
Kris Ugbalo

Property Master:
Jordan Moreau

Script Supervisor:
Joshua Hood

Second Assistant "A" Camera:
Bobby Demian

Second Assistant "B" Camera:
Thorsten Klueckmann
Ethan Stiglich

Second Assistant Director:
Virgo Velasquez

Security Coordinator:
Wayne Glesby

Set Decoration:
Scott Rossell

Set Dresser:
Oliver Farkas
Caelum Rossell
Dru Boux
Fritzi Adelman
Myles Cook

Sound Effects Editor:
Kris Ugbalo
Calvin Tran

Sound Re-Recording Mixer:
Fil Hosek

Special Effects Coordinator:
Tim Freestone

Still Photographer:
Thomas Fricke
Steven Ackerman

Stunt Coordinator:
Darren Ross

Third Assistant Director:
Dayna White
Jamie Ashton

Transportation Captain:
Mark Dann

Transportation Coordinator:
Corey Walker

Truck Supervisor:
Nancy Hall

Visual Effects Coordinator:
Adam Brooks

Writer:
Tawnya Bhattacharya
Ali Laventhol

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.