A work in constant progress (and occasional regress).
Release Date:
October 25, 1996
Original Title:
Thinner
Alternate Titles:
La Maldicion Gitana
Maleficio
Stephen King's Thinner
yaseyuku otoko
Genres:
Fantasy | Horror
Production Companies:
Paramount Pictures
Spelling Films
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: M DE: 16 FR: 16 GB: 18 HU: 18 PL: 18 PT: M/16 SE: 15 US: R
Runtime: 92
An obese lawyer finds himself growing "Thinner" when an old Romani man places a hex on him. Now the lawyer must call upon his friends in organized crime to help him persuade the old man to lift the curse. Time is running out for the desperate lawyer as he draws closer to his own death, and grows ever thinner.
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ADR Editor:
Harriet Fidlow
Pam DeMetruis-Thomas
ADR Mixer:
Paul J. Zydel
Additional Camera:
Aldo Antonelli
Additional Editing:
Janice Hampton
Evan A. Lottman
Art Direction:
Chuck Parker
Assistant Chief Lighting Technician:
David Burnett
Assistant Costume Designer:
Christopher J. Kristoff
Assistant Editor:
Morgan Neville
Assistant Hairstylist:
William A. Kohout
Assistant Sound Editor:
Anne Pope
Michael W. Mitchell
Candice Johnson
Associate Producer:
A. Welch Lambeth
Randy Jurgensen
Boom Operator:
Randall J. Smith
Camera Loader:
R. Anthony Grippo
Camera Operator:
Stephen Collins
Casting:
Leonard Finger
Chief Lighting Technician:
Mike Moyer
Color Timer:
Stephen R. Sheridan
Construction Coordinator:
Joseph Kearney
Costume Design:
Ha Nguyen
Costume Supervisor:
Robert Eli Bodford Jr.
Costumer:
Cheryl Cravedi
Chris Miller
Dialogue Editor:
Gerald Donlan
Thomas A. Gulino
Louis Bertini
Director:
Tom Holland
Director of Photography:
Kees Van Oostrum
Dolly Grip:
Charles W. Wayt
Editor:
Marc Laub
Electrician:
Dustin A. Huber
Executive Producer:
Stephen F. Kesten
Extras Casting:
Karen True
First Assistant Camera:
Onofrio Nino Pansini
First Assistant Director:
Michael Green
First Assistant Editor:
Shawna Callahan
Louis Cerborino
Stewart Sperling
First Company Grip:
Michael M. Krevitt
Foley Artist:
Jill Schachne
Pamela Kahn
Timothy Pearson
Tim Chilton
Monette Holderer
Foley Editor:
Yvette Nabel
Foley Mixer:
Larry Goodwin
Carmine Rubino
Grip:
Joseph E. Bates
Hair Department Head:
Peggy Nicholson
Location Manager:
Nicholas Bernstein
Makeup Artist:
Scott Hersh
Linda Lazar
Makeup Department Head:
Neal Martz
Music Editor:
Mark Kilian
David Bondelevitch
Robert Garrett
Shari Johanson
Music Supervisor:
Celest Ray
Negative Cutter:
Gary Burritt
Novel:
Stephen King
Orchestrator:
Pete Anthony
Jon Kull
Original Music Composer:
Daniel Licht
Picture Car Coordinator:
Russell Davis
Post Production Supervisor:
Michael Q. Martin
Charlie Vogel
Producer:
Mitchell Galin
Richard P. Rubinstein
Production Design:
Laurence Bennett
Production Sound Mixer:
Jay Meagher
Production Supervisor:
Carolyn Jean White
Rigging Grip:
Al Lieberman
Screenplay:
Tom Holland
Michael McDowell
Script Supervisor:
Tricia Ronten
Sculptor:
Miles Teves
Thomas Floutz
James Kagel
Second Assistant Camera:
Neil Toussaint
Second Assistant Director:
Sean McCarron
Second Company Grip:
Thomas Wazney
Second Second Assistant Director:
Lisa M. Rowe
Second Unit Director:
Vebe Borge
Second Unit Director of Photography:
Robert Draper
Set Decoration:
Nina Bradford
Sound Effects Editor:
Hal Levinsohn
Stan Bochner
Stephen Earnhart
Sound Re-Recording Mixer:
Sherry Klein
Warren Kleiman
Frank Morrone
Bob Edmenson
Sound Recordist:
Robert Nichols II
Special Effects:
Fred Cramer
Billy Myatt
Steven D. Romeiro
Special Effects Coordinator:
Ken Estes
Special Effects Makeup Artist:
Greg Cannom
Robert Laden
Vincent J. Guastini
Steadicam Operator:
Stephen Collins
Stunt Coordinator:
Bud Davis
Stunts:
Joey Box
Jay Caputo
Joie Chitwood Jr.
Kristi Frankenheimer
Tony Guida
Michael Haynes
Brad Orrison
Bernie Pock
Lynn Salvatori
Erik Stabenau
Supervising Sound Editor:
Richard Q. King
Transportation Captain:
Robert Martini
Unit Production Manager:
Stephen F. Kesten
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.