A work in constant progress (and occasional regress).
Release Date:
November 3, 2022
Original Title:
Marvel Studios Assembled: The Making of She-Hulk: Attorney at Law
Alternate Titles:
AVANTE: Nos Bastidores de Mulher-Hulk: Defensora de Heróis
GEMEINSAM UNBESIEGBAR: Das Making of She-Hulk: Die Anwältin
Marvel Studios AVANTE: Nos Bastidores de Mulher-Hulk: Defensora de Heróis
Marvel Studios Rassemblement - Le Making-of de She-Hulk : Avocate
Reunidos: Así se hizo She-Hulk: abogada Hulka
The Making of "שי-הלק: עורכת דין בשירות החוק"
The Making of She-Hulk: Attorney at Law
מאחורי הקלעים של אולפני מארוול: הענקית הירוקה: עורכת דין בשרות החוק
《女浩克:政法律师》的幕后特辑
Genres:
Documentary
Production Companies:
Marvel Studios
Production Countries:
United States of America
Ratings / Certifications:
ES: 12 IL: 12 US: PG-13
Runtime: 54
Join the likes of Tatiana Maslany, Mark Ruffalo, Tim Roth, and Benedict Wong as they reveal how Marvel Studios’ She-Hulk: Attorney at Law was conceived and shaped. Discover what it took for She-Hulk’s creators to pull off the show’s tricky tone and deliver Marvel Studios’ first truly comedic series – one that boldly breaks the fourth wall to acknowledge its own audience, no less!
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Assistant Editor:
Allison Terry
Chris Ortiz
Associate Producer:
Lauren Goralski
Colorist:
Ted Brady
Director:
Brad Baruh
Director of Photography:
Kyle Leonard
Editor:
Meghan Leon
Executive Producer:
Victoria Alonso
Kevin Feige
Jeff Redmond
Louis D'Esposito
Brad Winderbaum
Brad Baruh
Other:
Iris Lee
Jinah Park
Post Production Coordinator:
Connor Laux
Producer:
John M. Pisani
Sound Mixer:
Daniel Faber
Sound Re-Recording Mixer:
John O'Herron
Writer:
Meghan Leon
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.