A work in constant progress (and occasional regress).
Release Date:
December 14, 2007
Original Title:
The Feral Generation
Alternate Titles:
La Generacion Feral
Genres:
Drama
Production Companies:
Burn Hand Film Productions
Urban Way Productions
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 100
In 2004, a Home Office survey revealed that there are 20 to 60 youngsters,aged 16 to 24,living rough in each inner city in the UK. They are responsible for vast levels of crime and in almost all cases they have come from broken homes and a history of abuse,both physical and sexual,most of the time inflicted on them by their own parents. Nikki,18,fled a sexually abusive homelife and a succession of foster families to live on the street. There she met Vincent,21,the product of heroin addicted parents. Together they spend their days trying to survive the perils of living rough and supporting their own drug addictions. They are wild,unwanted and trying to live without fear.They are the lost children of modern day society. They are The Feral Generation.
Art Direction:
Simon Kozman
Boom Operator:
Paul Brookes
Camera Operator:
George Taverner
Casting:
Brooke Kinsella
Cinematography:
Louis Fonseca
Colorist:
Meetal Gokul
Digital Intermediate:
Valentina Catena
Myfanwy Harris
Director:
Andrew Jones
Editor:
Ian Grey
Executive Producer:
Jagdip Singh Dosanjh
First Assistant Director:
Keri Collins
Focus Puller:
Andrew Litt
Gaffer:
Kriss Dallimore
Makeup Artist:
Jodie Jones
Manager of Operations:
Tony Ray
Music:
John Rea
Post Production Supervisor:
Paul J. Wright
Producer:
Neil Jones
Ray Panthaki
Stuart Brennan
Production Design:
Katrina Thomas
Production Manager:
Yuen-Wai Liu
Script Supervisor:
Charlotte Rayner
Second Assistant "A" Camera:
Robbie Bryant
Sound Designer:
Alan Deacon
Sound Recordist:
Mike Hill
Special Effects Assistant:
Gareth Evans
Gareth Evans
Writer:
Andrew Jones
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.