Dead Wife Club (2022) [N/A]

Release Date:
October 22, 2022

Original Title:
Dead Wife Club

Genres:
Comedy | Drama

Production Companies:
Us Three Films

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 14

Luke has been veering between panic and numbness ever since losing his wife to Thyroid cancer. In a last-ditch effort to feel something, anything, he attends a bereavement counseling meeting at a nearby outreach center. There, he sparks a debate and a series of flashbacks that examine relationships, love, and anger.

Additional information:

The Search Form


Art Direction:
Hilary Thomson

Best Boy Grip:
Molly Reichel

Boom Operator:
Matthew Thomson

Carpenter:
John Pope

Catering:
Dave Mullett

Cinematography:
Rodrigo Iñiguez Becerril

Colorist:
Steve Cook

Costume Designer:
Charlotte Reid

Craft Service:
Ryan Dunphy

Dailies Technician:
Laura Alexander

Daily Electrics:
Emily Oates

Dialogue Editor:
Paul Steffler

Digital Imaging Technician:
Lian Morrison

Director:
Shara Désirée King

Editor:
Justin Simms

First Assistant Camera:
Jay Hamel

First Assistant Director:
Alexa Jerrett

Foley Artist:
Hilary Thomson

Foley Recordist:
Matthew Thomson

Gaffer:
Allison Collins
Andrew Best

Graphic Designer:
Tara Fleming
Jud Haynes

Hair Designer:
Sarah Gerbig

Key Grip:
Jason Andrews

Location Assistant:
Yasmine Majchrzak

Makeup Artist:
Sarah Gerbig

Music:
Hawksley Workman

Producer:
Ashley Knight

Script Editor:
Maureen Dorey

Script Supervisor:
Natalia Hennelly

Second Assistant Camera:
Graham Gooden

Sound Effects Editor:
Geoff Younghusband

Sound Mixer:
Harvey Hyslop

Sound Re-Recording Mixer:
Harvey Hyslop

Still Photographer:
Munyaradzi Siyawamwaya

Third Assistant Director:
James Avalon Drover

Writer:
Andie Bulman

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.