A work in constant progress (and occasional regress).
Release Date:
October 22, 2022
Original Title:
Dead Wife Club
Genres:
Comedy | Drama
Production Companies:
Us Three Films
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 14
Luke has been veering between panic and numbness ever since losing his wife to Thyroid cancer. In a last-ditch effort to feel something, anything, he attends a bereavement counseling meeting at a nearby outreach center. There, he sparks a debate and a series of flashbacks that examine relationships, love, and anger.
Art Direction:
Hilary Thomson
Best Boy Grip:
Molly Reichel
Boom Operator:
Matthew Thomson
Carpenter:
John Pope
Catering:
Dave Mullett
Cinematography:
Rodrigo Iñiguez Becerril
Colorist:
Steve Cook
Costume Designer:
Charlotte Reid
Craft Service:
Ryan Dunphy
Dailies Technician:
Laura Alexander
Daily Electrics:
Emily Oates
Dialogue Editor:
Paul Steffler
Digital Imaging Technician:
Lian Morrison
Director:
Shara Désirée King
Editor:
Justin Simms
First Assistant Camera:
Jay Hamel
First Assistant Director:
Alexa Jerrett
Foley Artist:
Hilary Thomson
Foley Recordist:
Matthew Thomson
Gaffer:
Allison Collins
Andrew Best
Graphic Designer:
Tara Fleming
Jud Haynes
Hair Designer:
Sarah Gerbig
Key Grip:
Jason Andrews
Location Assistant:
Yasmine Majchrzak
Makeup Artist:
Sarah Gerbig
Music:
Hawksley Workman
Producer:
Ashley Knight
Script Editor:
Maureen Dorey
Script Supervisor:
Natalia Hennelly
Second Assistant Camera:
Graham Gooden
Sound Effects Editor:
Geoff Younghusband
Sound Mixer:
Harvey Hyslop
Sound Re-Recording Mixer:
Harvey Hyslop
Still Photographer:
Munyaradzi Siyawamwaya
Third Assistant Director:
James Avalon Drover
Writer:
Andie Bulman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.