A work in constant progress (and occasional regress).
Original Title:
Une part manquante
Genres:
Comedy | Drama
Production Companies:
France 2 Cinéma
Les Films Pelléas
Loaded Films
Proximus
Savage Film
Versus Production
Production Countries:
Belgium | France | Japan
Ratings / Certifications:
N/A
Every day, Jay travels the length and breadth of Tokyo in his taxi, looking for his daughter Lily. In the 9 years since he has separated from his wife, he has never been able to get custody of his daughter. Having given up hope of ever seeing her again, he is about to move back to France when Lily hops in his cab. But she doesn't recognize him.
ADR Supervisor:
Anais Letiexhe
Assistant Sound Editor:
Valène Leroy
Associate Producer:
Philippe Logie
Camera Operator:
Elin Kirschfink
Casting:
Laure Cochener
Co-Producer:
Bart Van Langendonck
Colorist:
Thomas Bouffioulx
Costumer:
Julie Lebrun
Dialogue Editor:
Sabrina Calmels
Digital Compositor:
Cedric Blondelle
Bryan Gossuin
Director:
Guillaume Senez
Director of Photography:
Elin Kirschfink
Editor:
Julie Brenta
Focus Puller:
Léonidas Arvanitis
Foley Artist:
Olivier Thys
Foley Recording Engineer:
Alexis Oscari
Graphic Designer:
Tom Bornarel
Music Supervisor:
Thibault Deboaisne
Original Music Composer:
Olivier Marguerit
Producer:
David Thion
Jacques-Henri Bronckart
Production Director:
Julie Flament
Property Master:
Marin Michelems
Second Assistant Camera:
Jennifer Keruzore
Set Decoration:
Takeshi Shimizu
Sound:
Nicolas Paturle
Sound Editor:
Virgine Messiaen
Sound Mixer:
Franco Piscopo
Third Assistant Camera:
Stephen Capilitan
Writer:
Guillaume Senez
Jean Denizot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.