A work in constant progress (and occasional regress).
Release Date:
August 11, 1989
Original Title:
A Nightmare on Elm Street: The Dream Child
Alternate Titles:
A Nightmare On Elm Street 5
A Nightmare on Elm Street 5 - The Dream Child
A Nightmare on Elm Street 5: The Dream Child
A Nightmare on Elm Street Part 5: The Dream Child
Freddy - Chapitre 5 - L'Enfant du cauchemar
Freddy 5
Freddy 5 - L'Enfant du cauchemar
Freddy 5 : L'héritier du rêve
Koszmar z Ulicy Wiązów 5: Dziecko Snów
Painajainen Elm Streetillä 5 – Painajaisten lapsi
Pesadilla 5: el niño de los sueños
Pesadilla en Elm Street 5
Pesadilla en Elm Street 5: El niño de los sueños
Pesadilla en la Calle Elm 5 El Niño de los Sueños
Pesadilla en la Calle del Infierno 5
Rémálom az Elm utcában 5.: Az álomgyerek
エルム街の悪夢 5 ザ・ドリームチャイルド
エルム街の悪夢5 ザ・ドリームチャイルド
猛鬼街5
Genres:
Horror | Thriller
Production Companies:
Heron Communications
New Line Cinema
Smart Egg Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 15+ DE: 18 ES: 16 FI: K-18 FR: 12 GB: 18 IE: 18 JP: G NL: 16 PT: M/16 US: R
Runtime: 90
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
ADR Editor:
Chris Jargo
ADR Mixer:
Charleen Richards-Steeves
Art Direction:
Timothy Gray
Assistant Editor:
Heidi Scharfe
Ric Keeley
Assistant Production Coordinator:
Mary Jasionowski
Assistant Property Master:
César Díez Álava
Assistant Sound Editor:
Bobbi Banks
Elijah Schkeiban
Rubén Domingo
Best Boy Grip:
Rodney Veto
Boom Operator:
Brent Brewington
Camera Operator:
Krishna Rao
Carpenter:
Ella St. John Blakey
Larry Lee
Casting Director:
Annette Benson
Characters:
Wes Craven
Costume Design:
Sara Markowitz
Costume Supervisor:
Lydia Shiferaw
Dialogue Editor:
Linda Moss
Christine Danelski
Albert Gasser
Director:
Stephen Hopkins
Director of Photography:
Peter Levy
Dolly Grip:
Stuart Abramson
Driver:
Don Feeney
Tracy Thielen
Editor:
Brent A. Schoenfeld
Chuck Weiss
Executive In Charge Of Production:
Deborah Moore
Executive Producer:
Sara Risher
Jon Turtle
First Assistant Director:
Kristine Peterson
Foley Mixer:
Dean Drabin
Gaffer:
Foster K. Denker
Key Grip:
Marlin Hall
Key Hair Stylist:
Lynne K. Eagan
Key Makeup Artist:
Kathryn Fenton
Location Manager:
Ralph B. Meyer
Makeup & Hair Assistant:
Julie Socash
Makeup Artist:
David B. Miller
Music Editor:
Bill Black
Original Music Composer:
Jay Ferguson
Painter:
Josh Lusby
Post Production Supervisor:
Joe Fineman
Producer:
Robert Shaye
Rupert Harvey
Production Accountant:
Elena Azuola
Production Coordinator:
Jeffrey J. Kiehlbauch
Production Design:
C.J. Strawn
Production Executive:
Michael De Luca
Production Supervisor:
Kool Marder
Property Master:
Batia Grafka
Screenplay:
Leslie Bohem
Script Supervisor:
Helen Caldwell
Second Assistant Director:
Terence J. Edwards
Second Second Assistant Director:
Allen Kupetsky
Set Decoration:
John P. Jockinsen
Set Designer:
Thomas A. O'Conor
Set Dresser:
Anna Czerwatiuk
Special Effects:
Jon Curtis Price
Special Effects Makeup Artist:
Roy Knyrim
Special Effects Supervisor:
Gary Sivertson
Andre G. Ellingson
Steadicam Operator:
Elizabeth Ziegler
Peter Jensen
Story:
Craig Spector
John Skipp
Leslie Bohem
Storyboard Artist:
Peter Ramsey
Stunt Coordinator:
Michael Cassidy
Stunts:
Hank Calia
Bill McIntosh
Vince Deadrick Jr.
Carol Neilson
J. Mark Donaldson
Bobby Porter
Stephanie Epper
Jeff Ramsey
John Hateley
Mario Roberts
Eddie Hice
Lori Lynn Ross
Steve Kelso
Sharon Schaffer
Hubie Kerns Jr.
Anthony G. Schmidt
Paul M. Lane
Ben Scott
George P. Wilbur
Supervising ADR Editor:
Barbara Barnaby
Supervising Sound Editor:
Hari Ryatt
Robert Fitzgerald
Transportation Captain:
Derek Raser
Transportation Coordinator:
Joe Feeney
Unit Publicist:
Ernie Malik
Visual Effects Supervisor:
Alan Munro
Greg Nicotero
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.