A work in constant progress (and occasional regress).
Featuring:
Janine Antoni, Ida Applebroog, Penny Arcade
Written by:
Sasha Newman
Directed by:
Michael Blackwood
Release Date:
January 1, 1995
Original Title:
Reclaiming the Body: Feminist Art in America
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 58
Reclaiming the Body: Feminist Art in America features a collection of passionate, determined artists who have taken creation, performance and visual storytelling into their own hands. Loosely based on the two-part BAD GIRLS exhibition at The New Museum of Contemporary Art in Manhattan, Reclaiming the Body goes beyond the scope of the exhibition to include other significant contributors to feminist art. From sculpture to photography, the featured work challenges society's notion of the female form, femininity and gender identity. The film spans three generations of artists, from Louise Bourgeois to Janine Antoni, in order to give an overview of the history of this important movement from the 1960s to the present day.
After many decades of struggle, women have attained a strong presence in today's art world, as evidenced by the many exhibitions devoted to their work. Loosely based on the two-part BAD GIRLS exhibition at The New Museum of Contemporary Art in Manhattan, Reclaiming the Body goes beyond the scope of the exhibition to include other significant contributors to feminist art. The film spans three generations of artists, from Louise Bourgeois to Janine Antoni, in order to give an overview of the history of this important movement from the 1960s to the present day.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.