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A Real Pain (2024) [R]

Release Date:
November 1, 2024

Original Title:
A Real Pain

Alternate Titles:
Gerçək Acı
Un dolor real
Une Vraie Douleur
Une vraie douleur
Իրական Ցավը
リアル・ペイン～心の旅～
真正的痛苦
跳痛之旅

Genres:
Comedy | Drama

Production Companies:
Extreme Emotions
Fruit Tree
Mazowiecki i Warszawski Fundusz Filmowy
Rego Park
Topic Studios

Production Countries:
Poland | United States of America

Ratings / Certifications:
AR: +13  AU: MA 15+  BG: C  BR: 16  CA: 14A  CH: 12  CL: 14  CZ: 12+  DE: 12  DK: A  ES: 12  FI: K-12  FR: TP  GB: 15  GR: K15  HU: 16  IE: 15A  IL: 12  IN: A|U/A 16+  IT: 6+  JP: PG12  KR: 15  LT: N-13  MX: B  NL: 12  NO: A  NZ: R13  PH: PG  PL: 12  PR: R  PT: M/12  RO: 15  SE: Btl  SG: M18  SK: 15  TH: 13  TR: 13+  TW: 12+  UA: 12+  US: R  VI: R  ZA: 13 

Runtime: 90

Join the family.

Overview from TheMovieDB

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

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Performers

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Production

"B" Camera Operator:
Fredrik Olsson

ADR Mixer:
Tom Stringer

ADR Recordist:
Roisin King
Olivia Lewis

Additional Music:
Erick Eiser

Art Direction:
Marcin Malisz

Assistant Camera:
Marcin Studniarek

Assistant Editor:
Sebastian Korwin-Kulesza
Louis Armistead

Assistant Makeup Artist:
Przemysław Zaremba

Assistant Production Design:
Oliwia Górnikiewicz

Associate Producer:
Remy Love

Best Boy Electric:
Dariusz Wojas

Casting:
Jessica Kelly

Casting Assistant:
Kornelia Kamieniarz

Casting Associate:
Laura Feldman

Co-Executive Producer:
Jasmine Daghighian

Compositing Lead:
Aarif Attarwala

Costume Design:
Małgorzata Fudala

Dialect Coach:
Sam Lilja

Dialogue Editor:
Jennifer Ruffalo

Digital Imaging Technician:
Maciej Berski

Digital Intermediate Assistant:
Jonas Murad

Digital Intermediate Colorist:
Marcy Robinson

Digital Intermediate Producer:
Tiffany Gale
Megan Rumph

Director:
Jesse Eisenberg

Director of Photography:
Michał Dymek

Driver:
Paweł Gajewski

Editor:
Robert Nassau

Executive Producer:
Ryan Heller
Michael Bloom
Jennifer Westin
Kevin Kelly

First Assistant Accountant:
Metta Stahl

First Assistant Director:
Mieszko Falana

Foley Artist:
Maciej Amilkiewicz
Grzegorz Sieradzki

Foley Editor:
Maciej Amilkiewicz
Michał Bielecki
Jakub Oleś
Krzysztof Owczarek

Foley Recordist:
Grzegorz Koniarz
Krzysztof Owczarek

Gaffer:
Przemysław Sosnowski

Graphic Designer:
Paul Cowley

Grip:
Marcin Bębenista

Hairdresser:
Magdalena Brojak

Line Producer:
Becky Glupczynski
Magdalena Malisz

Main Title Designer:
Seth Brau

Makeup & Hair:
Honorata Grześkiewicz-Godlewska

Makeup Department Head:
Olga Nejbauer

Music Editor:
Arjan Miranda

Music Supervisor:
Erick Eiser

Post Production Supervisor:
Jennifer DiLullo

Producer:
Dave McCary
Emma Stone
Ali Herting
Jennifer Semler
Jesse Eisenberg
Ewa Puszczyńska

Production Design:
Mela Melak

Production Sound Mixer:
Tarn Willers

Props:
Piotr Przychodzeń

Script Consultant:
Jim Beggarly

Script Supervisor:
Renata Gałuszka

Second Assistant Director:
Gniewko Falana

Sound Effects Editor:
Jonathan Fuhrer

Sound Re-Recording Mixer:
Daniel Timmons

Steadicam Operator:
Tomasz Karnowski
Adam Mendry

Stunt Coordinator:
Jarosław Golec

Stunts:
Filip Bucki
Joanna Różańska

Supervising Sound Editor:
Tim Korn

Thanks:
Rafał Trzaskowski
Tomasz Kranz
Tomasz Kranz
Krzysztof Stanek
Emi Buchwald
Maciej Buchwald
Klaudiusz Chrostowski

VFX Artist:
Samantha Diaz
Aleksandar Djordjevic
Abigael Kurtz

Visual Effects Compositor:
Christopher Riemann
Je Ho Yoo

Visual Effects Coordinator:
Margot Bennett

Visual Effects Producer:
Billy McMillen
Thurman Martin III

Visual Effects Supervisor:
Yuval Levy

Writer:
Jesse Eisenberg

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.