A work in constant progress (and occasional regress).
Release Date:
September 21, 1994
Original Title:
Final Mission
Genres:
Action
Production Companies:
Hess/Kallberg Productions
Trimark Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 88
Captain Tom "Outlaw" Waters is one of four Air Force pilots taking part in a "black" Defense project involving virtual reality. The project is managed by a secretive Colonel Anderson and overseen by General Breslaw. When two of his colleagues die during test runs after some erratic behaviour in the flight simulator, Waters begins to believe that there is a conspiracy among his superiors. He even begins to suspect his new lover, Caitlin Cole. Written by D.W. Prosser
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Additional Dialogue:
Christopher A. Bechtel
Additional Photography:
Joseph Montgomery
Aerial Coordinator:
Jeffrey Carlson
Art Direction:
Chuck Dutrow
Best Boy Electric:
Randall Ott
Boom Operator:
Bill Ratcliffe
Casting:
Jack Jones
Construction Coordinator:
Steven Thomas Powell
Construction Foreman:
Christopher Burgard
Costume Design:
Tricia Gray
Dialogue Editor:
Lauren Stephens
Director:
Lee Redmond
Director of Photography:
Eric J. Goldstein
Dolly Grip:
Mike Flaningam
Editor:
Barry Zetlin
First Assistant Camera:
Keith Banks
First Assistant Director:
Laura Groppe
First Assistant Editor:
Danny Miller
Gaffer:
Gary Phipps
Key Grip:
Billy Bosson
Key Hair Stylist:
René Dashiell Kerby
Key Makeup Artist:
René Dashiell Kerby
Leadman:
Mark Holt
Location Manager:
Molly Allen
Original Music Composer:
Richard Marvin
Producer:
Kevin M. Kallberg
Oliver G. Hess
Production Coordinator:
Jean Costello
Production Design:
Whitney Brooke Wheeler
Property Master:
Lynda Reiss
Script Supervisor:
Hilary Momberger-Powers
Seamstress:
Madeleine Wilcox
Set Decoration:
David A. Koneff
Set Designer:
Elizabeth Hill
Sound Effects Editor:
Adriane Marfiak
Sound Recordist:
Eric Hoeschen
Special Effects Coordinator:
Larry Fioritto
Still Photographer:
David Moir
Stunt Coordinator:
Rob King
Wardrobe Supervisor:
Christina Klein
Writer:
Earnest Sheldon Jr.
Virginia Gilbert
Sam Montgomery
Lee Redmond
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.