A work in constant progress (and occasional regress).
Release Date:
June 15, 2023
Original Title:
The Blackening
Alternate Titles:
Потемнение
ההשחרה
Genres:
Comedy | Horror
Production Companies:
Artists First
CatchLight Studios
Lionsgate
MRC
The Story Company
Tracy Yvonne Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ DE: 18 GB: 15 IE: 15A MX: C NL: 16 PR: R US: R
Runtime: 97
Seven black friends go away for the weekend, only to find themselves trapped in a cabin with a killer who has a vendetta. They must pit their street smarts and knowledge of horror movies against the murderer to stay alive.
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Associate Producer:
Vicky Story
Casting:
Leah Daniels-Butler
Casting Associate:
Christi Holliday
Co-Producer:
Dewayne Perkins
Costume Design:
Angela Hadnagy
Dialogue Editor:
Erica Smith
Director:
Tim Story
Director of Photography:
Todd Dos Reis
Editor:
Peter S. Elliot
First Assistant Director:
Ian J. Putnam
Foley Editor:
Greg Mauer
Gaffer:
Michael Withers
Hair Department Head:
DaRico Jackson
Makeup Artist:
Michael Spezzano
Makeup Department Head:
Precious Jackson
Terrell Mullin
Original Music Composer:
Dexter Story
Producer:
Marcei A. Brubaker Brown
Jason Clark
E. Brian Dobbins
Tracy Oliver
Tim Story
Sharla Sumpter
Second Assistant Director:
Sarah Balboa
Set Decoration:
Bryant Berry
Sound Mixer:
Brad Bryan
Sound Re-Recording Mixer:
Troy Ambroff
Bret Mazur
Sound Supervisor:
Bret Mazur
Special Effects Makeup Artist:
Eden Elizalde
Mike Elizalde
Stunt Coordinator:
Eddie J. Fernandez
Stunt Double:
Solange Olivier
Petra Sprecher
Ashlei Tave
Supervising Sound Editor:
Bret Mazur
Utility Sound:
Speed Ratliff
VFX Artist:
Lorena Sosa
Visual Effects Coordinator:
Oliver Gelleni
Visual Effects Producer:
J. Felipe Zamora
Visual Effects Supervisor:
Matthew Steele Finley
Writer:
Dewayne Perkins
Tracy Oliver
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.