A work in constant progress (and occasional regress).
Release Date:
October 15, 2005
Original Title:
The Scorned
Genres:
Comedy | Horror | Thriller
Production Companies:
Creative Light Entertainment
DHG Productions
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 87
After terribly gory happenings occur one day in a hidden beach house on the Malibu Shore, it leaves one person crying, one person soaked in blood, and another one dead. 17 months later, a group of hot twenty somethings move into the now abandoned beach house, all of them unaware of what had happened in the place over a year ago. One by one, temptation seduces the house mates into betraying their romantic relationships and they are punished for their infidelities, by an avenging angel of death. When the first victim is killed, the police believe that it is simply a drug overdose, but a whacked out spiritualist believes in actuality, it was the ghost of the dead girlfriend. With the help of the spiritualist, the new tenants of the house fight to survive and search desperately to unlock the shocking mystery of...THE SCORNED.
Assistant Director:
Tony Margulies
Camera Operator:
Onofrio Nino Pansini
Costume Design:
Corena Gibson
Costume Designer:
Tami Eldridge
Director:
Robert Kubilos
Director of Photography:
Igor Meglic
Euripides Núñez
Editor:
Dean Guiliotis
Executive Producer:
Rich Tackenberg
Foley Artist:
Tony Margulies
Gaffer:
Sean Cohen
Makeup Artist:
Marie-Flore Beaubien
Valecia Sarmento
Music:
Steve McCarty
Producer:
Rob Cesternino
Scott Zakarin
Eric Mittleman
Josh Souza
Production Design:
Derek Hughes
Production Sound Mixer:
James Ridgley
Script Supervisor:
Susan Buliavac
Second Assistant Director:
Crystal Hopkins
Set Decoration:
Freddie Campbell
Sound Re-Recording Mixer:
Steve McCarty
Stunt Coordinator:
Banzai Vitale
Stunt Double:
Stacey Carino
Stunts:
Gregory J. Barnett
Jeffrey G. Barnett
Karin Silvestri
Keli Murphy
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.