A work in constant progress (and occasional regress).
Release Date:
May 15, 2005
Original Title:
A Sound of Thunder
Alternate Titles:
El Cazador de Dinosaurios
El sonido del trueno
Vanatoare fatala
Zvok grmenja
Zvuk grmljavine
Âm Thanh Sấm Sét
І гримнув грім
І пролунав грім
Гуркіт грому
Genres:
Action | Adventure | Science Fiction | Thriller
Production Companies:
ApolloMedia
Baldwin Entertainment Group
Coco
Crusader Entertainment
Dante Entertainment
ETIC Films
Epsilon Motion Pictures
Film 111
Forge
Franchise Pictures
Jericho Productions Ltd.
MFF (Sound of Thunder)
Matrix Film Finance
Mobius International
QI Quality International GmbH Co. KG
Scenario Lane Productions
Warner Bros. Pictures
Production Countries:
Czech Republic | Germany | Switzerland | United Kingdom | United States of America
Ratings / Certifications:
CH: 12 DE: 12 FR: U GB: 12 US: PG-13
Runtime: 101
When a hunter sent back to the prehistoric era runs off the path he must not leave, he causes a chain reaction that alters history in disastrous ways.
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ADR Editor:
Oliver Barth
ADR Mixer:
Colin Rogers
ADR Supervisor:
Craig Clark
Accountant:
Vanessa Bolton
Animation Supervisor:
Dietrich Hasse
Art Department Assistant:
Slavek Vankat
Art Department Coordinator:
Klara Holubova
Art Direction:
Keith Pain
Assistant Camera:
Graham Hall
Assistant Costume Designer:
Till Fuhrmann
Assistant Editor:
Ross Porter-Ward
Assistant Sound Editor:
Nick Baldock
Associate Producer:
Steve Cantor
Author:
Ray Bradbury
Best Boy Grip:
Robert-James Bova
Boom Operator:
Benjamin Krüger
CG Artist:
Dragos Jieanu
CGI Supervisor:
David J. Witters
Camera Operator:
Stephen S. Campanelli
Casting:
Anja Dihrberg
Jessica Horváthová
Sue Jones
Clapper Loader:
Ian Coffey
Co-Producer:
Frank Hübner
Jan Fantl
Color Timer:
Harry Muller
Compositor:
Casey Allen
Concept Artist:
Dylan Cole
Conceptual Design:
Jean-Francois Mignault
Conceptual Illustrator:
Igor Chevalier
Conductor:
Nick Glennie-Smith
Costume Design:
Esther Walz
Sakina Msa
Creative Director:
Chris John Jones
Dialect Coach:
Ernestine Kahn
Dialogue Editor:
Dominik Schleier
Digital Compositor:
Ulysses Argetta
Digital Effects Producer:
Robert D. Crotty
Digital Effects Supervisor:
Steffen M. Wild
Digital Intermediate:
Gregory Creaser
Digital Intermediate Editor:
Lisa Tutunjian
Director:
Peter Hyams
Director of Photography:
Peter Hyams
Editor:
Sylvie Landra
Electrician:
Kriz David
Executive Producer:
Breck Eisner
Romana Cisarova
Rick Nathanson
Elie Samaha
William J. Immerman
Jörg Westerkamp
John Hardy
Howard Baldwin
Andrew Stevens
Executive Visual Effects Producer:
Scott Dougherty
First Assistant Director:
Charlie Watson
First Assistant Editor:
Nadia Naimi
Focus Puller:
Sven Fink
Foley Editor:
Noemi Hampel
Foley Recordist:
Anja Bause
Gaffer:
Andy Arnautov
Graphic Designer:
David E. Scott
Grip:
Mario Matic
Hair Assistant:
Ivana Němcová
Hairstylist:
Linda Mooney
Head of Production:
Andreas Illenseer
Key Costumer:
Katrin Hoffmann
Key Grip:
Helge Felgendreher
Key Set Production Assistant:
Mike Bocek
Legal Services:
Adam W. Rosen
Line Producer:
Yoram Barzilai
Guy J. Louthan
Location Manager:
Jiri Krejcir
Makeup Artist:
Steve Artmont
Matte Painter:
Kino Scialabba
Music Editor:
Gerard McCann
Musician:
Mark Berrow
Negative Cutter:
Mo Henry
Original Music Composer:
Nick Glennie-Smith
Post Production Accountant:
Jack W. Haddox
Post Production Supervisor:
Tim Grover
Producer:
Moshe Diamant
Karen Elise Baldwin
Production Assistant:
Lenka Kadlecova
Production Controller:
Dianne Mapp-Cheek
Production Coordinator:
Veronika Horka
Production Design:
Richard Holland
Production Executive:
Guy J. Louthan
Production Supervisor:
Reinhild Gräber
Project Manager:
Diane Macke
Props:
Martina Ter-Akopowá
Rigging Gaffer:
Václav Čermák
Rotoscoping Artist:
Marlan Harris
Scientific Consultant:
Alexander Xavier Ponce-Bonano
Screenplay:
Joshua Oppenheimer
Thomas Dean Donnelly
Gregory Poirier
Script Supervisor:
Catherine Allinson
Second Assistant Accountant:
Tracy Fedak
Second Assistant Camera:
Emiliano Topai
Second Assistant Director:
Adrian Toynton
Second Second Assistant Director:
Miroslav Fozo
Second Unit Director:
Raza Mallal
Sequence Supervisor:
Jay Randall
Set Decoration:
Richard Roberts
Set Designer:
Desmond Crowe
Set Medic:
Eva Dvorakova
Sound Effects Editor:
Robin Pohle
Sound Mixer:
Manfred Banach
Sound Re-Recording Mixer:
Michael Hinreiner
Special Effects:
Neil Toddy Todd
Special Effects Supervisor:
Joss Williams
Special Effects Technician:
Duncan Capp
Steadicam Operator:
Alessandro Bolognesi
Still Photographer:
Murray Close
Storyboard Artist:
James Doh
Stunt Coordinator:
Petr Drozda
Stunt Double:
Blanka Jarošová
Stunts:
Rudolf Bok
Supervising Sound Editor:
Peter Baldock
Third Assistant Director:
Martina Götthansova
Underwater Camera:
James Lewis
Unit Manager:
Petr Šplíchal
Unit Production Manager:
Ondřej Sláma
VFX Artist:
Ryan Lastimosa
Visual Effects:
Arndt Baumueller
Visual Effects Art Director:
Igor Chevalier
Visual Effects Coordinator:
Bastian Schreitling
Visual Effects Editor:
Soline Guyonneau
Visual Effects Producer:
Gayle Busby
Visual Effects Production Manager:
Bonnie Lemon
Visual Effects Supervisor:
Christian McIntire
David Lingenfelser
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.