A work in constant progress (and occasional regress).
Release Date:
October 28, 2022
Original Title:
Capra cu trei iezi
Genres:
Horror | Thriller
Production Companies:
Casa de Filme Nouă
Production Countries:
Romania
Ratings / Certifications:
RO: 18
Runtime: 83
Secluded from the world, in XIX century rural Romania, a widow and mother of three must defend what's left of her family, at all costs, from an old family friend turned foe. Based on one of the best-known Romanian folk tales (The Goat and Her Three Kids by Ion Creanga), this film aims to unveil the true nature of the famed bedtime story and to treat the audience to a different perspective, one that offers a glimpse of what the tragedy looks like beyond the happy songs and affable characters.
Assistant Camera:
Ochiana Ionuț
Best Boy Electric:
Adrian Dobre
Mihai Granaru
Best Boy Grip:
Marian Darie
Camera Operator:
Alexandru Brendea
Cătălin Nica
Cinematography:
Lulu de Hillerin
Colorist:
Răzvan Dumitru
Digital Imaging Technician:
Mihai Tănăsescu
Director:
Victor Canache
Drone Pilot:
Catalin Voinea
Editor:
Victor Canache
Tudor D. Popescu
First Assistant Camera:
Andrei Karastanef
Cătălin Nica
Gaffer:
Vasile Dodu
Key Grip:
Laurențiu Gabriel Harasim
Producer:
Luana Georgita
Production Assistant:
Luca Vlad
Script Supervisor:
Cleopatra Medvetchi
Second Assistant Camera:
Ochiana Ionuț
Second Unit Cinematographer:
Alexandru Brendea
Sound:
Sebastian Zsemlye
Stunts:
Mihai Reti
Writer:
Victor Canache
Ion Creangă
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.