Call of God (2022) [N/A]

Release Date:
September 6, 2022

Original Title:
Kõne Taevast

Alternate Titles:
Köne Taevast
Who Is God?
sin-ui bu-leum
sinui bureum
신의 부름

Genres:
Drama

Production Companies:
Estofilm
Kim Ki Duk Film

Production Countries:
Estonia | Kyrgyz Republic | Latvia

Ratings / Certifications:
 N/A

Runtime: 81

Anticipation of Love has settled in the heart of a young lady. The boundaries between dream and passion are very elusive. Life is full of physical deprivations and, of course, sensual pleasures, and the deep meaning of that all is Love. The deeper the feeling, the more intense the emotions. Each girl dreams about meeting her love one day. An experienced man helps her discover the world of passion and senses, and brings her to ‘heaven’s gate’ where the two of them will prevail. One can only imagine how many hearts were broken along the way to master the science of love. But passion blinds and soon the man becomes slave to the young woman’s sensual body. The carnal knowledge makes the girl try to subdue her love object. This is what the last film by Kim Ki-duk, shot in summer 2019 in Kyrgyzstan, is all about. The film was finished by Kim’s friends and colleagues after he unexpectedly passed away in December 2020.

Additional information:

The Search Form


Associate Producer:
Gulmira Kerimova

Casting:
Meerim Dogdurbekova

Director:
Kim Ki-duk

Director of Photography:
Kim Ki-duk

Editor:
Audrius Juzėnas
Karolis Labutis
Tul Paloma Rodríguez

First Assistant Director:
Yana Kols

Makeup Artist:
Gulmira Davlietbakova

Music:
Sven Grünberg

Producer:
Steve B. Castor
Kim Ki-duk
Nargiza Mamatkulova
Tatjana Mülbeier
Darius Vaiteikunas
Artur Veeber

Production Design:
Orozbay Absattarov

Screenplay:
Kim Ki-duk

Second Assistant Director:
Dastan Dalbekov

Sound Designer:
Sangam Panta

Sound Editor:
Matt Part
Shehryar Khan

Sound Re-Recording Mixer:
Shehryar Khan

Sound Recordist:
Ruslan Karin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.