A work in constant progress (and occasional regress).
Release Date:
March 6, 2021
Original Title:
Life Support In Concert
Genres:
Documentary | Music
Production Companies:
Live Nation Entertainment
The Beehive
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 52
A virtual concert streamed worldwide in response to the COVID-19 pandemic, featuring Madison Beer's powerful and emotionally charged songs from her debut album "Life Support." Accompanied by an all-female band, striking visuals, and immersive lighting, Madison Beer delivers an unforgettable experience.
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Art Direction:
Cam Nawaz
Assistant Director:
Alexander Federic
Camera Operator:
Peter White
Co-Producer:
Scott Myrick
Costumer:
Kris Fe
Creative Director:
Amber Park
Creative Producer:
Dani Vitale
Director:
Dani Vitale
Director of Photography:
Garrett Nicholson
Editor:
Aron Fromm
Executive Producer:
Vinnie Ferra
Hairstylist:
Melissa Dominguez
Lighting Design:
Julien Reux
Makeup Artist:
Cherish Brooke Hill
Manager of Operations:
Oscar Scivier
Mixing Engineer:
DreWeL
Musician:
Kaela Sinclair
Arianna Powell
Bianca Richardson
Kiara Ana Perico
Mia Barcia-Colombo
Production Designer:
Julien Reux
Production Manager:
Jonny Stiegler
Sound Engineer:
Mike Sassano
Stage Director:
Scott Myrick
Technical Supervisor:
Michael Newman
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.