A work in constant progress (and occasional regress).
Release Date:
May 12, 2006
Original Title:
Just My Luck
Alternate Titles:
Baciati dalla sfortuna
C'est bien ma chance!
Cserebere szerencse
Devuélveme mi suerte
Golpe de suerte
Len trošku šťastia
Lucky Girl
Nụ Hôn May Mắn
Peh do daske
Que Sorte a Minha!
Samo moja sreća
Satumainen onni
Sorte no Amor
Sreca pa taka
Tokia jau mano dalia
Zum Glück geküsst
În cautarea norocului
Έρωτας στην τύχη
Лош късмeт
Поцелуй на удачу
Поцілунок на щастя
जस्ट माई लक
ラッキー・ガール
倒霉爱神
幸運之吻
Genres:
Comedy | Drama | Family | Fantasy | Romance
Production Companies:
20th Century Fox
Cheyenne Enterprises
New Regency Pictures
Regency Enterprises
Production Countries:
United States of America
Ratings / Certifications:
AT: AA BR: L FR: U GB: PG HU: 18 IE: 15A IT: T JP: PG12 KR: 12 NO: A PL: 16 RO: 15 US: PG-13
Runtime: 103
Manhattanite Ashley is known to many as the luckiest woman around. After a chance encounter with a down-and-out young man, however, she realizes that she's swapped her fortune for his.
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"A" Camera Operator:
Mark O'Kane
"B" Camera Operator:
Michael Green
Susan Starr
ADR Coordinator:
Nick Abdo
ADR Engineer:
John Lawson
ADR Mixer:
Tom O'Connell
Charleen Richards-Steeves
ADR Recordist:
Rick Canelli
David Lucarelli
ADR Voice Casting:
Caitlin McKenna
Additional Editor:
Patrick J. Don Vito
Art Department Coordinator:
Michelle Schluter-Ford
Art Direction:
Dennis Bradford
Assistant Art Director:
Emily Beck
Hinju Kim
Assistant Costume Designer:
Sue Gandy
Assistant Editor:
Harold Parker
Robert Malina
Assistant Location Manager:
Keith A. Adams
Robert Cavalluzzo
Assistant Property Master:
R. Vincent Smith
Assistant Set Decoration:
Summer Eubanks
Christine Mayer
Assistant Sound Editor:
Warren Hendriks
David Burk
Best Boy Electric:
Ralph G. Crowley
Best Boy Grip:
Chris Kilduff
Gus Magalios
Boom Operator:
Frank Graziadei
Cableman:
Tommy Louie
Aaron Zeller
Camera Loader:
Amy Albano
Alisa M. Colley
Casting:
Michael Hothorn
Choreographer:
Scott Grossman
Co-Producer:
Marjorie Shik
Ellen H. Schwartz
Color Timer:
Mike Stanwick
Construction Coordinator:
Ron Petagna
Construction Grip:
Nicholas J. Mongelli, Jr.
Costume Design:
Gary Jones
Costumer:
Robin Borman-Wizan
Dialogue Editor:
Helen Luttrell
Digital Intermediate Colorist:
Steve Bowen
Director:
Donald Petrie
Director of Photography:
Dean Semler
Dolly Grip:
Keith Bunting
Ronald Burke
Michael Yurich
Editor:
Debra Neil-Fisher
Executive Producer:
Joseph M. Caracciolo Jr.
First Assistant "A" Camera:
Heather Norton
Eric Swanek
First Assistant "B" Camera:
Stan Keitt
Chris Silano
First Assistant Director:
Ellen H. Schwartz
First Assistant Editor:
David S. Clark
First Assistant Sound Editor:
Skip Longfellow
Foley Artist:
Alicia Stevenson
Dawn Fintor
Foley Editor:
Steve F. Price
Foley Mixer:
David Betancourt
Foley Recording Engineer:
Derek Casari
Foley Supervisor:
John Murray
Gaffer:
Andy Day
Gary Varney
Joseph Quirk
Hair Department Head:
Francesca Paris
Hairstylist:
Qodi Armstrong
Roxanne Ferguson
Anthony Veader
Melissa Yonkey
Key Construction Grip:
Vincent Guarriello
Key Costumer:
Cheryl Kilbourne-Kimpton
Key Grip:
George Patsos
Tom Prate
Key Rigging Grip:
Kevin Flynn
Billy Patsos
Leadman:
Polar Bear Shaw
Location Manager:
Sam Hutchins
Makeup Artist:
Allison Gordin
Kimberly Greene
LeDiedra Richard-Baldwin
Paige Reeves
Makeup Department Head:
Bernadette Mazur
Music Editor:
Andrew Silver
Music Supervisor:
Lisa Brown
Negative Cutter:
Gary Burritt
Original Music Composer:
Teddy Castellucci
Payroll Accountant:
Sara Lane
Marianne Shiffrar
Pilot:
Al Cerullo
Producer:
Arnon Milchan
Arnold Rifkin
Donald Petrie
Production Accountant:
Ida Lee Henderson
Production Coordinator:
Angela Quiles
Production Design:
Ray Kluga
Production Sound Mixer:
Tom Nelson
Projection:
Carl Turnquest
Property Master:
Kevin Ladson
Rigging Gaffer:
Charlie Grubbs
Screenplay:
Amy Harris
I. Marlene King
Script Supervisor:
Susan Bierbaum
Second Assistant "A" Camera:
Michael Cambria
Ed Nessen
Second Assistant "B" Camera:
Caesar S. Carnevale
Hollis Meminger
Second Assistant Director:
Tommy Harper
Second Second Assistant Director:
David Waters
Eric Yellin
Second Unit Director:
Jack Gill
Second Unit Director of Photography:
Daniel Pearl
Paul Hughen
Second Unit First Assistant Director:
Stephen Lee Davis
Set Costumer:
Bruce Ericksen
Pamela Waggoner
Set Decoration:
Chuck Potter
George DeTitta Jr.
Set Dresser:
Chris Edwards
Richard Nelson
Patrick Fuhrman
Cory Parker
Steve Krieger
Michael Shapiro
David Lee Toth
Alan Muzeni
Sound Effects Editor:
Doug Jackson
Dave Kulczycki
Sound Engineer:
Geoff Ethridge
Erin Michael Rettig
Sound Mixer:
Gary Alper
Sound Re-Recording Mixer:
Andy Nelson
Anna Behlmer
Sound Recordist:
Robert Renga
Craig Heath
Special Effects Coordinator:
Michael Meinardus
Steadicam Operator:
Mark O'Kane
Still Photographer:
Barry Wetcher
Story:
I. Marlene King
James Greer
Mark Blackwell
Jonathan Bernstein
Storyboard Artist:
John Davis
Studio Teacher:
Pat Jackson
Stunt Coordinator:
Jack Gill
Charlie Brewer
Pat Romano
Stunt Double:
Meegan E. Godfrey
Chris O'Hara
Stunt Driver:
Bill Anagnos
Stunts:
Kym Washington Longino
David Waters
Jalil Jay Lynch
Tim Gallin
Frank Ferrara
Jimmy P. Wong
John Cenatiempo
Supervising ADR Editor:
R.J. Kizer
Supervising Sound Editor:
John A. Larsen
Transportation Captain:
Edward O'Donnell
Unit Production Manager:
Dana Robin
Utility Stunts:
Stephen A. Pope
Andy Gill
Video Assist Operator:
Joel Holland
Visual Effects Supervisor:
Mark Shoaf
Randall Balsmeyer
Wardrobe Supervisor:
Kate Edwards
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.