Just My Luck (2006) [PG-13]

Release Date:
May 12, 2006

Original Title:
Just My Luck

Alternate Titles:
Baciati dalla sfortuna
C'est bien ma chance!
Cserebere szerencse
Devuélveme mi suerte
Golpe de suerte
Len trošku šťastia
Lucky Girl
Nụ Hôn May Mắn
Peh do daske
Que Sorte a Minha!
Samo moja sreća
Satumainen onni
Sorte no Amor
Sreca pa taka
Tokia jau mano dalia
Zum Glück geküsst
În cautarea norocului
Έρωτας στην τύχη
Лош късмeт
Поцелуй на удачу
Поцілунок на щастя
जस्ट माई लक
ラッキー・ガール
倒霉爱神
幸運之吻

Genres:
Comedy | Drama | Family | Fantasy | Romance

Production Companies:
20th Century Fox
Cheyenne Enterprises
New Regency Pictures
Regency Enterprises

Production Countries:
United States of America

Ratings / Certifications:
AT: AA  BR: L  FR: U  GB: PG  HU: 18  IE: 15A  IT: T  JP: PG12  KR: 12  NO: A  PL: 16  RO: 15  US: PG-13 

Runtime: 103

Everything changed in the wink of an eye.

Manhattanite Ashley is known to many as the luckiest woman around. After a chance encounter with a down-and-out young man, however, she realizes that she's swapped her fortune for his.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Mark O'Kane

"B" Camera Operator:
Michael Green
Susan Starr

ADR Coordinator:
Nick Abdo

ADR Engineer:
John Lawson

ADR Mixer:
Tom O'Connell
Charleen Richards-Steeves

ADR Recordist:
Rick Canelli
David Lucarelli

ADR Voice Casting:
Caitlin McKenna

Additional Editor:
Patrick J. Don Vito

Art Department Coordinator:
Michelle Schluter-Ford

Art Direction:
Dennis Bradford

Assistant Art Director:
Emily Beck
Hinju Kim

Assistant Costume Designer:
Sue Gandy

Assistant Editor:
Harold Parker
Robert Malina

Assistant Location Manager:
Keith A. Adams
Robert Cavalluzzo

Assistant Property Master:
R. Vincent Smith

Assistant Set Decoration:
Summer Eubanks
Christine Mayer

Assistant Sound Editor:
Warren Hendriks
David Burk

Best Boy Electric:
Ralph G. Crowley

Best Boy Grip:
Chris Kilduff
Gus Magalios

Boom Operator:
Frank Graziadei

Cableman:
Tommy Louie
Aaron Zeller

Camera Loader:
Amy Albano
Alisa M. Colley

Casting:
Michael Hothorn

Choreographer:
Scott Grossman

Co-Producer:
Marjorie Shik
Ellen H. Schwartz

Color Timer:
Mike Stanwick

Construction Coordinator:
Ron Petagna

Construction Grip:
Nicholas J. Mongelli, Jr.

Costume Design:
Gary Jones

Costumer:
Robin Borman-Wizan

Dialogue Editor:
Helen Luttrell

Digital Intermediate Colorist:
Steve Bowen

Director:
Donald Petrie

Director of Photography:
Dean Semler

Dolly Grip:
Keith Bunting
Ronald Burke
Michael Yurich

Editor:
Debra Neil-Fisher

Executive Producer:
Joseph M. Caracciolo Jr.

First Assistant "A" Camera:
Heather Norton
Eric Swanek

First Assistant "B" Camera:
Stan Keitt
Chris Silano

First Assistant Director:
Ellen H. Schwartz

First Assistant Editor:
David S. Clark

First Assistant Sound Editor:
Skip Longfellow

Foley Artist:
Alicia Stevenson
Dawn Fintor

Foley Editor:
Steve F. Price

Foley Mixer:
David Betancourt

Foley Recording Engineer:
Derek Casari

Foley Supervisor:
John Murray

Gaffer:
Andy Day
Gary Varney
Joseph Quirk

Hair Department Head:
Francesca Paris

Hairstylist:
Qodi Armstrong
Roxanne Ferguson
Anthony Veader
Melissa Yonkey

Key Construction Grip:
Vincent Guarriello

Key Costumer:
Cheryl Kilbourne-Kimpton

Key Grip:
George Patsos
Tom Prate

Key Rigging Grip:
Kevin Flynn
Billy Patsos

Leadman:
Polar Bear Shaw

Location Manager:
Sam Hutchins

Makeup Artist:
Allison Gordin
Kimberly Greene
LeDiedra Richard-Baldwin
Paige Reeves

Makeup Department Head:
Bernadette Mazur

Music Editor:
Andrew Silver

Music Supervisor:
Lisa Brown

Negative Cutter:
Gary Burritt

Original Music Composer:
Teddy Castellucci

Payroll Accountant:
Sara Lane
Marianne Shiffrar

Pilot:
Al Cerullo

Producer:
Arnon Milchan
Arnold Rifkin
Donald Petrie

Production Accountant:
Ida Lee Henderson

Production Coordinator:
Angela Quiles

Production Design:
Ray Kluga

Production Sound Mixer:
Tom Nelson

Projection:
Carl Turnquest

Property Master:
Kevin Ladson

Rigging Gaffer:
Charlie Grubbs

Screenplay:
Amy Harris
I. Marlene King

Script Supervisor:
Susan Bierbaum

Second Assistant "A" Camera:
Michael Cambria
Ed Nessen

Second Assistant "B" Camera:
Caesar S. Carnevale
Hollis Meminger

Second Assistant Director:
Tommy Harper

Second Second Assistant Director:
David Waters
Eric Yellin

Second Unit Director:
Jack Gill

Second Unit Director of Photography:
Daniel Pearl
Paul Hughen

Second Unit First Assistant Director:
Stephen Lee Davis

Set Costumer:
Bruce Ericksen
Pamela Waggoner

Set Decoration:
Chuck Potter
George DeTitta Jr.

Set Dresser:
Chris Edwards
Richard Nelson
Patrick Fuhrman
Cory Parker
Steve Krieger
Michael Shapiro
David Lee Toth
Alan Muzeni

Sound Effects Editor:
Doug Jackson
Dave Kulczycki

Sound Engineer:
Geoff Ethridge
Erin Michael Rettig

Sound Mixer:
Gary Alper

Sound Re-Recording Mixer:
Andy Nelson
Anna Behlmer

Sound Recordist:
Robert Renga
Craig Heath

Special Effects Coordinator:
Michael Meinardus

Steadicam Operator:
Mark O'Kane

Still Photographer:
Barry Wetcher

Story:
I. Marlene King
James Greer
Mark Blackwell
Jonathan Bernstein

Storyboard Artist:
John Davis

Studio Teacher:
Pat Jackson

Stunt Coordinator:
Jack Gill
Charlie Brewer
Pat Romano

Stunt Double:
Meegan E. Godfrey
Chris O'Hara

Stunt Driver:
Bill Anagnos

Stunts:
Kym Washington Longino
David Waters
Jalil Jay Lynch
Tim Gallin
Frank Ferrara
Jimmy P. Wong
John Cenatiempo

Supervising ADR Editor:
R.J. Kizer

Supervising Sound Editor:
John A. Larsen

Transportation Captain:
Edward O'Donnell

Unit Production Manager:
Dana Robin

Utility Stunts:
Stephen A. Pope
Andy Gill

Video Assist Operator:
Joel Holland

Visual Effects Supervisor:
Mark Shoaf
Randall Balsmeyer

Wardrobe Supervisor:
Kate Edwards

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.