A work in constant progress (and occasional regress).
Release Date:
May 18, 2024
Original Title:
Les reines du drame
Genres:
Comedy | Fantasy
Production Companies:
Les Films du Poisson
Wrong Men
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
Runtime: 114
2055. Steevyshady, a 65-year-old Youtuber, posts a video on Mimi4Ver, his channel dedicated to Mimi Madamour, a teen singer from the 00's, to celebrate the 50th anniversary of Pas touche! her biggest hit. The lifted man films himself in his teenage bedroom, still covered with posters of the star. He confesses to having dragged her through the mud, because he never accepted her romance with punk singer Billie Kolher. Today, Steevy wants to pay tribute to them by telling their story...
ADR Recordist:
Guilhem Domercq
Assistant Makeup Artist:
Barbara Broucke
Associate Producer:
Philippe Logie
Boom Operator:
Barbara Juniot
Carpenter:
Laureen-Joyce Centner
Mathieu Jourdan
Léo Pacquelet
Romain Faroux
Dialogue Editor:
Quentin Collette
Digital Compositor:
Bryan Gossuin
Director:
Alexis Langlois
Executive Producer:
Karim Cham
First Assistant Director:
Anaïs Couette
Foley Artist:
Vincent Gregorio
Gaffer:
Manon Corone
Makeup Department Head:
Juan-Carlos Salazar
Makeup Designer:
Juan-Carlos Salazar
Makeup Effects:
Barbara Broucke
Music:
Pierre Desprats
Producer:
Inès Daïen Dasi
Benoît Roland
Production Design:
Barbabé d'Hauteville
Anna Le Mouël
Production Manager:
Ben H. Pigeard-Benazera
Screenplay:
Alexis Langlois
Thomas Colineau
Charlotte Janon
Script Supervisor:
Morgane Aubert-Bourdon
Second Assistant Director:
Angel Adhera
Sound Assistant:
Mariette Iung
Sound Editor:
François Aubinet
Sound Mixer:
Marie Paulus
Stunt Double:
Barbara Hellemans
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.