A work in constant progress (and occasional regress).
Release Date:
January 25, 2025
Original Title:
L’été de Jahia
Alternate Titles:
Jahia's Summer
La vie devant nous
Genres:
Drama
Production Companies:
Kidam
Michigan Films
Proximus
RTBF
Versus Production
Production Countries:
Belgium | France | Luxembourg
Ratings / Certifications:
N/A
Runtime: 90
When Mila arrives at the asylum center, Jahia's life changes dramatically. Jahia has previously kept to herself, spending her evenings in the kitchen where she cooks for her mother, who is haunted by memories of their escape from Burkina Faso. Alongside a stern directive that she must go to school, a new girl appears at the center. Mila's forced but genuine optimism breaks through Jahia's barrier, but the wait for the life-altering asylum decision remains terrifying. And one day, Mila and her family receive their verdict. In this deeply unsettling but still hopeful drama, we follow two vulnerable friends who try to navigate an unstable and artificial everyday life, where life has an expiration date. Or a new beginning.
Additional Grip:
Sébastien Rodriguez
Casting:
Sebastiàn Moradiellos
Co-Producer:
Jeanne Geiben
Vincent Quénault
Director:
Olivier Meys
Director of Photography:
Benoît Dervaux
Electrician:
Noé Michelet
Etienne Paillet
First Assistant Camera:
Amaury Duquenne
Gaffer:
Antoine Bellem
Grip:
Cyrille Hermant
Lighting Technician:
Camille de Patoul
Producer:
Sébastien Andres
Alexandre Perrier
Alice Lemaire
Production Manager:
Caroline Tambour
Screenplay:
Olivier Meys
John Shank
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.