A work in constant progress (and occasional regress).
Release Date:
December 14, 1961
Original Title:
Pecado de amor
Genres:
Drama | Music
Production Companies:
Cesáreo González
Producciones Benito Perojo
Transmonde Film
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 115
Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.
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Assistant Camera:
Luis Peña
Augusto Pérez
Assistant Production Manager:
Valentín Panero
Camera Operator:
Eduardo Noé
Costume Designer:
Balenciaga
Director:
Luis César Amadori
Director of Photography:
Antonio L. Ballesteros
Editor:
Antonio Ramírez de Loaysa
Executive Producer:
Benito Perojo
Hairstylist:
Carmen Sánchez
Makeup Artist:
Carmen Martín
Music:
Gregorio García Segura
Producer:
Cesáreo González
Production Design:
Enrique Alarcón
Production Manager:
Miguel Tudela
Property Master:
Antonio Luna
Set Decoration:
Enrique Alarcón
Settings:
Francisco Rodríguez Asensio
Still Photographer:
Simón López
Unit Production Manager:
Jerónimo Montoro
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.